Detail from The Canal, Amsterdam, 1889, James McNeill Whistler, The Hunterian, University of Glasgow

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Nocturne in Grey and Gold

Provenance

According to Williamson, a painting of 'Battersea in a fog' was accepted by Algernon Graves (1845-1922), London printseller, from Charles Augustus Howell (1840?-1890), as security for a loan. 1

In 1878, Whistler, through C. A. Howell, deposited 'two nocturnes of Battersea Reach', and Arrangement in Grey and Black: Portrait of the Painter's Mother [YMSM 101], with H. Graves & Co. as security for a loan of £100, with interest of 10 per cent per annum. 2

Less than a month later, on 5 November 1878 Whistler asked Algernon Graves to send a 'Nocturne in Grey and Gold' from their galleries to Lucas (Luke) Alexander Ionides (1837-1924), and this picture, according to C. A. Howell was 'received and sold' by him. 3 On 6 November 1878 Howell acknowledged receipt of the two Nocturnes and substitution of Arrangement in Brown and Black: Portrait of Miss Rosa Corder [YMSM 203] as security for the loan. 4 On 5 December 1878 Whistler wrote to Luke Ionides, who had bought the 'little Nocturne' from him for £15, suggesting that he should return it and they would share any profit if Whistler managed to sell it to Mrs Fitzgerald, as suggested in a letter Whistler had just received from Lord Archibald Campbell (1846-1913). 5 On the same day Whistler asked Walter Theodore Watts-Dunton (1832-1914) to bring Mrs Fitzgerald to see the 'Nocturne'. 6 However, there is no further record of Mrs Fitzgerald buying anything, so the sale probably fell through.

Algernon Graves later described the nocturnes as 'the one sold to Stratford and one you had away I think - it was delivered I believe for your order to a gentleman in Kensington.' 7 Whistler was still paying off the debt for the Nocturnes in 1883: on 26 April 1883 he paid £50 towards to £85 advance, leaving £35 plus 9.18. 4. interest still owing. 8

In January 1893 Whistler wrote to his sister-in-law Nellie (Mrs W. Whistler, née Ionides) that he had retrieved the Nocturne: 'I have got the Nocturne that was Luke's!!! - It is a beauty! and he was an idiot! - I wish you would find out what he gave me for it? - I think it was twenty pounds.' 9 It is not known whether Whistler had bought it direct from Ionides, nor when the artist sold it, nor what happened thereafter.

Although Ionides later recorded the story of a 'Symphony in grey and gold' that he had bought from Whistler, his story differs in several points from the history of the painting being discussed here and appears to refer to a later purchase (see Symphony in Grey and Gold [YMSM 143]). 10

Nocturne: Westminster – Grey and Gold, Whereabouts unknown
Nocturne: Westminster – Grey and Gold, Whereabouts unknown
Nocturne: Grey and Silver, Philadelphia Museum of Art
Nocturne: Grey and Silver, Philadelphia Museum of Art

The history of Nocturne in Grey and Gold could fill gaps in the known history of two small Nocturnes, Nocturne: Westminster - Grey and Gold [YMSM 144] and Nocturne: Grey and Silver [YMSM 156], but it cannot conclusively be identified with either.

Exhibitions

  • Unknown.

Notes:

1: Williamson 1919 [more], p. 123.

2: A. Graves to Whistler, 9 September 1878, GUW #01797; C. A Howell to Graves, 9 September 1878, GUW #02184.

3: GUW #10913.

4: C. A. Howell to H. Graves & Co., 6 November 1878, GUW #02185.

5: GUW #02366.

6: GUW #07386.

7: 28 January 1882, GUW #07386.

8: H. Graves & Co. to Whistler, [29 September 1887], GUW #11465.

9: Whistler to H.E. Whistler, [28-29 January 1893], GUW #11653.

10: Ionides 1924 [more], at p. 51.

Last updated: 22nd May 2021 by Margaret