Detail from The Canal, Amsterdam, 1889, James McNeill Whistler, The Hunterian, University of Glasgow

 

Near Calais

Technique


                    Near Calais, Colby College Museum of Art
Near Calais, Colby College Museum of Art

The details of figures, boats and butterfly, were painted with a fine pointed brush, in spiky or blocky strokes. Gouache or body-colour was used for the wriggly strokes showing waves breaking on the beach. The subtle colours of sky, sea and beach were painted more broadly, but with well-diluted paint, with the paper showing through at times, particularly in the foreground.

Last updated: 24th February 2021 by Margaret