The Paintings of James McNeill Whistler

M.0213
Scene from Bohemian life

Scene from Bohemian life

Artist: James McNeill Whistler
Date: 1855/1857
Collection: Art Institute of Chicago
Accession Number: 1956.350
Medium: graphite pencil, pen and ink, watercolour and white opaque paint
Support: tan laid paper, laid down on cream board
Size: 9 1/2" circle diameter (241 mm circle diameter)
Signature: 'J. Whistler.'
Inscription: none

Date

Scene from Bohemian life dates from 1855/1857.

Scene from Bohemian life, Art Institute of Chicago
Scene from Bohemian life, Art Institute of Chicago

It is fully catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 213).

Images

Scene from Bohemian life, Art Institute of Chicago
Scene from Bohemian life, Art Institute of Chicago

Subject

Description

Scene from Bohemian life, Art Institute of Chicago
Scene from Bohemian life, Art Institute of Chicago

An idyll of Paris bohemian life: six young people lounge in a small, candle-lit room. At left, a seated woman is smoking, and a man, smoking, sits at her feet in the foreground. Two men are leaning closely over the other women. The couple at right are drinking wine. The room is crowded, with candles and bottles on a cabinet at left, food and wine on a table at front right, against which a slender stick leans, a picture, pipes, a broad brimmed straw hat and other objects hang on the wall.

Sitter

The sitters are unknown although the man at right looks a bit like James McNeill Whistler (1834-1903).

Technique

Technique

Scene from Bohemian life, Art Institute of Chicago
Scene from Bohemian life, Art Institute of Chicago

An intricately detailed work, employing many different shading, cross-hatching, scribbling and dotting marks. 1 Stephanie Strother comments on the uneven finish, lighting, and chiaroscuro:

' In some areas, his use of line and shading is tight and controlled, while in others it is loose and sketchy. Some passages—such as the rightmost male and female figures—are treated in a detailed, three-dimensional manner, while others—such as the bottom half of the female figure at left and her male companion—look incomplete, their forms described mainly by outlines. Near the center of the drawing, line and shading disappear from the composition almost entirely, leaving the centermost woman’s body undescribed from the chest down. … Chiaroscuro effects that seem to originate from multiple light sources are carefully represented in the silhouetted male figure in the foreground and in the shadow cast by another male figure on the wall in the background, as well as in the play of light across the faces of the two rightmost figures. These dramatic lighting effects are completely ignored, on the other hand, in other sections of the composition. Such disparities give the drawing a distinctly improvisational quality. ' 2

History

Provenance

The earlier provenance is unknown.

Exhibitions

It was not, as far as is known, exhibited in Whistler's lifetime.

Bibliography

Catalogues Raisonnés

Books, General

Websites


Notes:

1: See MacDonald 1995 (cat. rais.) [more] (cat. no. 211); see also Stephanie L. Strother, 'Scene from Bohemian life', in Clarke, in Jay A., and Sarah Kelly Oehler, eds., Whistler Paintings and Drawings at the Art Institute of Chicago, The Art Institute of Chicago, 2020, website (cat. no. 6).

2: Stephanie L. Strother, 'Scene from Bohemian Life', in Clarke, Jay A., and Sarah Kelly Oehler, eds., Whistler Paintings and Drawings at the Art Institute of Chicago, The Art Institute of Chicago, 2020, website (cat. no. 6).