
r.: Succès d'Erneste à Cologne; v.: Tracing of recto date from between August and October 1858.

r.: Succès d'Erneste à Cologne, Freer Gallery of Art

v.: Tracing of recto, Freer Gallery of Art
The drawing is the basis for the etching The Title Page for 'Douze Eaux Fortes d'après Nature' [22], which was dedicated to Francis Seymour Haden, Sr (1818-1910) and printed by Auguste Delâtre (1822-1907) in November 1858.
The work is fully catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 271).

r.: Succès d'Erneste à Cologne, Freer Gallery of Art

v.: Tracing of recto, Freer Gallery of Art

The Title Page for 'Douze Eaux Fortes d'après Nature, etching (G.22)
The city of Cologne in Germany.

r.: Succès d'Erneste à Cologne, Freer Gallery of Art
The artist is probably Ernest Delannoy (d. 1869/1872), who accompanied Whistler on the Rhineland trip, although it could be a self-portrait. They dressed alike so they could pose for each other.

r.: Succès d'Erneste à Cologne, Freer Gallery of Art

v.: Tracing of recto

The Title Page for 'Douze Eaux Fortes d'après Nature, etching (G.22)
The drawing was traced as a basis for the etching The Title Page for 'Douze Eaux Fortes d'après Nature' [22], which was printed by Auguste Delâtre (1822-1907) in November 1858.
The sheet was probably taken from a sketchbook. Over fifty drawings, many in sketchbooks, most of which dated from 1857-1858, were apparently given to Whistler's half-sister Deborah and/or her husband, Francis Seymour Haden, and were later removed from the sketchbooks.
See further details in r.: Les Côtes à Dieppe; v.: Cliffs and building m0222.
It was not, as far as is known, exhibited in Whistler's lifetime.
Due to the conditions of Freer's will, it cannot be lent to another venue.