The Paintings of James McNeill Whistler

M.0568
Studies for the Mummy Cloth & Notes for Dress

Studies for the Mummy Cloth & Notes for Dress

Artist: James McNeill Whistler
Date: 1870s
Collection: Whereabouts Unknown
Accession Number: none
Medium: drawings, pastels and watercolours
Support: unknown
Size: unknown
Signature: unknown
Inscription: unknown

Date

Studies for the Mummy Cloth & Notes for Dress probably date from the 1870s, and were sold by Henry Studdy Theobald (1847-1934) in 1893. 1

They are catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 568).

Images

Studies for the Mummy Cloth & Notes for Dress, whereabouts unknown
Studies for the Mummy Cloth & Notes for Dress, whereabouts unknown

Study of drapery, whereabouts unknown
Study of drapery, whereabouts unknown

Study of Rosettes for Lady's Dress, Fogg Art Museum
Study of Rosettes for Lady's Dress, Fogg Art Museum

Subject

Description

If, as is possible, the 'Mummy Cloth' was a study of drapery, used as background for Arrangement in Grey and Black: Portrait of the Painter's Mother y101, the drawing has not survived.

Study of drapery, whereabouts unknown
Study of drapery, whereabouts unknown

Study of Rosettes for Lady's Dress, Fogg Art Museum
Study of Rosettes for Lady's Dress, Fogg Art Museum

There is one known Study of drapery m0567. The 'Notes for dress' could be such as Study for 'Symphony in Flesh-colour and Pink: Mrs F. R. Leyland' m0431 and Study of Rosettes for Lady's Dress m0434.

Technique

Technique

These drawings were probably in a variety of media, with chalk being likely, but no details are known.

History

Provenance

According to Theoba1d, quoted by the Pennells,

'somewhere early in the 'eighties ... I became the fortunate possessor of some thirty or forty drawings or pastels through the Dowdeswells ... they some times brought [Whistler] to my house ...[in] Westbourne Square. The pictures, owing to stress of space, hung mostly on the stair case, and Whistler would stand in rapt admiration before them ... when he wanted to borrow the pictures … it was a labour of Hercules to retrieve them.' 2

The drawings sold by Theobald in 1893 were described by Way as 'mostly slight and struck me as being "early studies" (such as the Mummy Cloth & Notes for Dress) "unfinished sketches" or "schemes" for more complete works' and they were 'mostly bought by the Trade.' 3 Theobald retained possession of a group of 16 watercolours and 3 pastels, which he sold to Charles Lang Freer (1856-1919) on 20 June 1902 (Voucher, Freer Gallery Archives).

Exhibitions

Whistler borrowed 15 of Theobald's pictures for an exhibition at Petit's gallery in Paris in 1887, and in 1888 he wrote again, asking Theobald to lend more for exhibition in Munich, 'After all you have these beautiful things always with you - like the poor! - and seldom indeed shall I trouble you for their loan!' 4

Bibliography

Catalogues Raisonnés

Books on Whistler


Notes:

1: T. Way to Whistler, 6 February 1893, GUW #06099.

2: Pennell 1908 [more], vol. 2, pp. 128-29.

3: T. Way to Whistler, 6 February 1893, GUW #06099.

4: Whistler to Theobald, [26 April 1887], GUW #10891, and 25 April 1888, GUW #09668.