The Paintings of James McNeill Whistler

M.0748
Long Venice (Little Venice; in turquoise)

Long Venice (Little Venice; in turquoise)

Artist: James McNeill Whistler
Date: 1879/1880
Collection: Private Collection, USA
Accession Number: none
Medium: pastel
Support: brown wove paper
Size: 4 1/2 x 10 5/8" (114 x 270 mm)
Signature: butterfly
Inscription: 'N18. / 10 3/4 x 4 1/4' in lower left margin and 'Venice' in centre right margin.
Frame: not original

Date

Long Venice dates from 1879/1880.

Long Venice, private collection
Long Venice, private collection

It was catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 748). The pastel has now been located and identified; this record has been revised.

Images

Long Venice, Private Collection
Long Venice, Private Collection

Long Venice, Buffalo 1911, repr.
Long Venice, Buffalo 1911, repr.

Long Venice (Little Venice; in turquoise), framed, private collection
Long Venice (Little Venice; in turquoise), framed, private collection

T.R. Way, Little Venice; in turquoise, 1881,  lithograph, Way 1912, f.p. 52
T.R. Way, Little Venice; in turquoise, 1881, lithograph, Way 1912, f.p. 52

Venice, photo, 1995
Venice, photo, 1995

Subject

Site

Long Venice, private collection
Long Venice, private collection

Venice, photo, 1995
Venice, photo, 1995

The view across the lagoon from the Public Gardens, with the tower of San Giorgio Maggiore to left, the dome of Santa Maria della Salute, the entrance to the Grand Canal, and the Doge's Palace to right. 1

Technique

Technique

Long Venice, private collection
Long Venice, private collection

The main features of the view were drawn with short and broken repeated outlines in black, and then coloured in with firm strokes of ivory, cream and white, pinks and beige, for the buildings. Shades of blue, turquoise, and grey were roughly scumbled across sea and sky, leaving the brown paper showing through. Touches of light reddish brown, orange and pinkish ochre, complete the details of roofs and shipping. pale pinks, cream and white, very lightly applied, create reflections and ripples.

There are numerous pentimenti, suggesting slight changes in the position of shipping and buildings. There may have been an additional ship in front of the ship at right, and some of the rigging may have been related to that ship.

Frame

Long Venice (Little Venice; in turquoise), framed, private collection
Long Venice (Little Venice; in turquoise), framed, private collection

The current frame does not date from Whistler's time. The backbroard has several labels: 'B. Pénau[w?] / LAYETIER - EMBALLEUR / 4. Rue Favart. 4/ [Paris]'; '13434'; 'f119'; 'Return to / R. A. CANFIELD, / PROVIDENCE, R.I., U.S.A. / Title "Long Venice" / Venise./ Artist J. McNeill Whistler'.

History

Provenance

Exhibitions

T.R. Way, Little Venice; in turquoise, 1881,  lithograph, Way 1912, f.p. 52
T.R. Way, Little Venice; in turquoise, 1881, lithograph, Way 1912, f.p. 52

The lithographer Thomas Robert Way (1861-1913) sketched the pastel when it was exhibited in 1881. His thumbnail sketch (reproduced above) has enabled the pastel to be identified. 2

The Daily News on 31 January 1881 called it 'singularly successful.'

Bibliography

Catalogues Raisonnés

Catalogues 1855-1905

Newspapers 1855-1905

Books on Whistler

Catalogues 1906-Present

EXHIBITION:

SALE:


Notes:

1: Grieve 2000 [more], p. 143, repr. pl. 178, view repr. pl. 179.

2: Way 1912 [more], repr. f. p. 52.