The Paintings of James McNeill Whistler

M.0770
The Palace in Rags; v.: Houses by a canal, with bridges

The Palace in Rags; v.: Houses by a canal, with bridges

Artist: James McNeill Whistler
Date: 1879/1880
Collection: Thomas Colville Fine Art
Accession Number: none
Medium: chalk and pastel
Support: brown wove paper
Size: 11 x 6 1/2" (280 x 165 mm)
Signature: none
Inscription: none

Date

r.: The Palace in Rags; v.: Houses by a canal, with bridges dates from 1879/1880.

The Palace in Rags, Thomas Colville Fine Art
The Palace in Rags, Thomas Colville Fine Art

It is catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no 770). This entry has been updated and revised.

Images

The Palace in Rags, Thomas Colville Fine Art
The Palace in Rags, Thomas Colville Fine Art

v.: Houses by a canal, with bridges, Thomas Colville Fine Art
v.: Houses by a canal, with bridges, Thomas Colville Fine Art

Subject

Site

The Palace in Rags, Thomas Colville Fine Art
The Palace in Rags, Thomas Colville Fine Art

Venice, Italy: the Palazzo Rezzonico on the Grand Canal, where Whistler is said to have stayed for a while.

Technique

Technique

The Palace in Rags, Thomas Colville Fine Art
The Palace in Rags, Thomas Colville Fine Art

MacDonald (1995) commented as follows:

'This fine drawing shows Whistler's constant interest in windows as a frame, a spatial element, with figures lit by the light of the window and also silhouetted against it: a problem of some complexity, which he resolved with extremely delicate use of colour. ...

The arrangement of the interior is not entirely clear: a flight of steps leads to a long chamber barely furnished but hung with pictures. Women in black are seated by a tall window, the man to left is drawn with meticulous detail. The window and figures, solidly modelled and richly coloured, are set like a jewel in the large bare rectangle of the apartment.

The scene is a vignette, with rough, bold work at the edge, heavy black and brown pastel which emphasizes the delicacy of the central area. The paper is a lightish brown, with a slight grain. There is grey on the wall and grey, with touches of pink, smoothed across the floor. The far wall is very dark, intensified by prussian blue over brown, with a blue hanging. These deep, cool colours, frame the view, where the roofs seem bright and sunny, touched with warmer colours, pink and orange. The figures are black and brown with minute flecks of complementary colours, green and blue, pink and orange.' 1

History

Provenance

See further details MacDonald 1995 (cat. rais.) [more] (cat. no. 770).

Exhibitions

The Country Gentleman described it appreciatively as 'a mellow diffused light in a sombre chamber.' The Daily Telegraph noted 'a fine bit of gloom, with a poetic gleam of central light.' 2

Bibliography

Catalogues Raisonnés

Catalogues 1855-1905

Newspapers 1855-1905

Journals 1855-1905

Books on Whistler

Catalogues 1906-Present

Websites


Notes:

1: MacDonald 1995 (cat. rais.) [more] (cat. no 770).

2: Daily Telegraph, London, 5 February 1881; Country Gentleman, 5 February 1881. GUL PC4, pp. 47-48.