The Paintings of James McNeill Whistler

M.0935
Note in pink and purple

Note in pink and purple

Artist: James McNeill Whistler
Date: 1883/1884
Collection: Cincinnati Art Museum, OH
Accession Number: n/a
Medium: watercolour
Support: white laid paper originally laid down on board
Size: 9 3/4 x 6 1/4" (248 x 158 mm)
Signature: butterfly
Inscription: v.: on board, 'N 27G / No l5G / Milly Finch' in unknown hands

Date

Note in pink and purple dates from 1883/1884.

Note in pink and purple, Cincinnati Art Museum
Note in pink and purple, Cincinnati Art Museum

This work is fully catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 935).

Images

Note in pink and purple, Cincinnati Art Museum
Note in pink and purple, Cincinnati Art Museum

Subject

Sitter

Note in pink and purple, Cincinnati Art Museum
Note in pink and purple, Cincinnati Art Museum

The Topical Times, 24 May 1884, suggested that 'Note in pink and purple' was 'really Lady Archie Campbell, or, at all events, a portion of that lady', and another critic described the picture - incorrectly - as 'an inchoate adumbration of a group'. 1 However, the model was probably Millie Finch (fl. 1875-1885).

The first owner, Otto Goldschmidt, was obviously uncertain of the sitter's name. On 9 April 1909 he wrote to Whistler's sister-in-law, Rosalind Birnie Philip (1873-1958), that he owned a watercolour by his 'very dear friend' Whistler, called 'Polly Finch with the fan', and on 23 September 1911 he wrote from Biarritz to Joseph Pennell (1860-1926) that he was having 'Nelly Finch' photographed. 2

Technique

Technique

Note in pink and purple, Cincinnati Art Museum
Note in pink and purple, Cincinnati Art Museum

See details in MacDonald 1995 (cat. rais.) [more] (cat. no. 935).

History

Provenance

There are several gaps and problems in establishing ownership. See further details in MacDonald 1995 (cat. rais.) [more] (cat. no. 935); this record has been revised.

Exhibitions

Short reviews appeared in the Topical Times, 24 May 1884, and Fun, 4 June 1884.

It was priced at 45 guineas in 1889, but remained unsold, and was returned to Whistler after the exhibition by Wunderlich's on the SS Servia. 6

Bibliography

Catalogues Raisonnés

Catalogues 1855-1905

Newspapers 1855-1905


Notes:

1: GUL Whistler pc10, p. 57.

2: Letters in Whistler Collection, University of Glasgow, and in E. R. and J. Pennell Collection, Library of Congress.

3: Dowdeswell's to Whistler, [July 1885/1886], GUW #00867: the firm seems unclear about which painting was sold and to whom.

4: Mrs B. Max Goldschmidt has not been identified. Otto Moritz David Goldschmidt was born in Hamburg, Germany, and his parents were Johanna and Moritz David Goldschmidt. Otto's younger brother Benedict Moses (or Moritz) Goldschmidt (1831-1906) married Pauline Jacobsen (1836-1901) in Frankfurt in 1859 (thus both were dead by 1912); their daughters (1863-1929) and Klara (1864-1916) lived in Frankfurt. Otto M. D. Goldschmidt also had a brother, Enrique Goldschmidt, who was working in Berlin in 1891, and occasionally handled Whistler's works for his brother. There may well have been another Mrs, Madame or Frau Goldschmidt. The genealogical records appear confusing. The first owner, Otto M. D. Goldschmidt, and his wife Johanna Maria 'Jenny' Lind had several children, including Walter Otto (b. 1853), Jenny Maria Catherine (Mrs Maude, 1857-1935) and Ernst Svend David (1861-1947). W. O. Goldschmidt married Mary Julia Daniels in 1884 (divorced in 1893), and Agnes Gilchrist Dunn in 1918; he probably died in 1929 (the National Portrait Gallery records him as dying in 1884). E. S. D. Goldschmidt married Helen Wallace (ca 1874-1947) in 1911. None match the name recorded by Colnaghi's.

5: This sales record may have been incorrect.

6: G. Dieterlen, H. Wunderlich & Co., to Whistler, 1 November 1889, GUW #07187.