
Palette drawn in a letter from Whistler in Paris to his wife, Beatrice Philip (Mrs E. W. Godwin, Mrs J. McN. Whistler) (1857-1896), in London on 27 January 1892. 1

Palette, Glasgow University Library
Whistler was starting to paint Arrangement in Black and Gold: Comte Robert de Montesquiou-Fezensac y398 in the studio of Antonio de la Gandara (1862-1917). The table palette to be constructed by Frederick Henry Grau (1859-1892) was a gift to thank Gandara for the loan of his studio and for posing on occasion.
The drawing was catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1323).

Palette, Glasgow University Library

Whistler and Portrait of Maud Franklin, photograph, GUL Whistler PH1/120

Palette, Glasgow University Library
Whistler's accompanying letter describes the table palette as follows:
'You must send for Grau and tell him to make at once, a palette exactly like mine - the same size, etc. - - with the little boxes all round for the paints - you know. - finish it at once - pack it up and send it to
Monsieur de La Gandara 22. / Rue Monsieur le Prince / Paris.'
I cannot tell you how courteous and kind he has been - nor can I exagerate [sic] the unheard of trouble I have given him - Happily this present from me will be for him a joy beyond all past annoyances - and I am sure you will wish him to have it' 2

Whistler and Portrait of Maud Franklin, photograph, GUL Whistler PH1/120
A photograph of Whistler at work on Portrait of Maud Franklin y353, reproduced above, probably in 1886, shows him using a table palette.
In 1886 George Augustus Sala (1828-1895) had described Whistler's Fulham Road studio, where he used such a table palette, and George Percy Jacomb Hood (1857-1929) painted the palette loaded with paint and oil. 3
Robert de Montesquiou-Fezensac (1855-1921) described the palette as 'une vaste table d'acajou sur le coin de laquelle, en une minuscule plaque d'argent, voltige le butterfly'. 4

Palette, Glasgow University Library
The letter, written on all sides, was folded once horizontally and three times vertically for the post. The sketch, on the third side, a design for a table palette, was drawn in the same ink with a fine nib.
It has not been exhibited.
1: [27 January 1892], GUW #06603.
2: GUW #06603.
3: Salaman 1886 B [more]. Pennell 1921C [more], palette repr. f.p. 122. The original is now in Tate Britain.
4: Newton 1990 [more], p. 149.