Study for 'Rose et argent: La Jolie Mutine' dates from about 1892.
Study for 'Rose et argent: La Jolie Mutine', The Hunterian
It was catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1326).
Study for 'Rose et argent: La Jolie Mutine',The Hunterian
Rose et argent: La Jolie Mutine, The Hunterian
Although catalogued as Study for 'Rose et argent: La Jolie Mutine' it is possible this is not a study but an independent drawing of a model posing for Rose et argent: La Jolie Mutine y389.
Study for 'Rose et argent: La Jolie Mutine', The Hunterian
Possibly Whistler's sister-in-law Ethel Philip, later Ethel Whibley (1861-1920), as suggested on the inscription by Harold Wright (1885-1961) of Colnaghi's, possibly with information from her younger sister, Rosalind Birnie Philip (1873-1958).
Study for 'Rose et argent: La Jolie Mutine', The Hunterian
Rose et argent: La Jolie Mutine, The Hunterian
This is a drawing of a model posing for Rose et argent: La Jolie Mutine y389. The pose is not identical: her hands are closer together and further to her right. In the oil, the model was slightly more turned to the front.
This is a hurried, forceful sketch, catching the essence of the costume and pose with long, confident lines. It is not certain if this is by James or Beatrice Philip (Mrs E. W. Godwin, Mrs J. McN. Whistler) (1857-1896). The drawing could be a first sketch by Whistler, before he settled on the more frontal pose, or it could be a drawing by Beatrice Whistler, done while Whistler was painting the portrait, from a position just to his right.
It was not exhibited in Whistler's lifetime.