The Paintings of James McNeill Whistler

M.1326
Study for 'Rose et argent: La Jolie Mutine'

Study for 'Rose et argent: La Jolie Mutine'

Artist: Beatrice or James McNeill Whistler
Date: 1892
Collection: The Hunterian, University of Glasgow
Accession Number: GLAHA 46167
Medium: pen and black ink
Support: pale grey laid paper, partial watermark 'AC.../[reuan]/ ...on & Gunn/ Bond Street'
Size: 6 15/16 x 4 1/2" (177 x 114 mm)
Signature: none
Inscription: 'Mrs Whibley' written by Harold Wright

Date

Study for 'Rose et argent: La Jolie Mutine' dates from about 1892.

Study for 'Rose et argent: La Jolie Mutine', The Hunterian
Study for 'Rose et argent: La Jolie Mutine', The Hunterian

It was catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1326).

Images

Study for 'Rose et argent: La Jolie Mutine',The Hunterian
Study for 'Rose et argent: La Jolie Mutine',The Hunterian

Rose et argent: La Jolie Mutine, The Hunterian
Rose et argent: La Jolie Mutine, The Hunterian

Subject

Titles

Although catalogued as Study for 'Rose et argent: La Jolie Mutine' it is possible this is not a study but an independent drawing of a model posing for Rose et argent: La Jolie Mutine y389.

Sitter

Study for 'Rose et argent: La Jolie Mutine', The Hunterian
Study for 'Rose et argent: La Jolie Mutine', The Hunterian

Possibly Whistler's sister-in-law Ethel Philip, later Ethel Whibley (1861-1920), as suggested on the inscription by Harold Wright (1885-1961) of Colnaghi's, possibly with information from her younger sister, Rosalind Birnie Philip (1873-1958).

Technique

Composition

Study for 'Rose et argent: La Jolie Mutine', The Hunterian
Study for 'Rose et argent: La Jolie Mutine', The Hunterian

Rose et argent: La Jolie Mutine, The Hunterian
Rose et argent: La Jolie Mutine, The Hunterian

This is a drawing of a model posing for Rose et argent: La Jolie Mutine y389. The pose is not identical: her hands are closer together and further to her right. In the oil, the model was slightly more turned to the front.

Technique

This is a hurried, forceful sketch, catching the essence of the costume and pose with long, confident lines. It is not certain if this is by James or Beatrice Philip (Mrs E. W. Godwin, Mrs J. McN. Whistler) (1857-1896). The drawing could be a first sketch by Whistler, before he settled on the more frontal pose, or it could be a drawing by Beatrice Whistler, done while Whistler was painting the portrait, from a position just to his right.

History

Provenance

Exhibitions

It was not exhibited in Whistler's lifetime.

Bibliography

Catalogues Raisonnés

Websites


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