
Blue and Gold – The Rose Azalea dates from 1894/1895. It was bought by Charles Lang Freer (1856-1919) in 1894 and received in 1896. 1

Blue and Gold – The Rose Azalea, Freer Gallery of Art
It was catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1392) dated 1893/1895.

Blue and Gold - The Rose Azalea, Freer Gallery of Art

The Little Blue Cap, Art Institute of Chicago

Blue and Gold – The Rose Azalea, Freer Gallery of Art
Unidentified.

The Little Blue Cap, Art Institute of Chicago

Blue and Gold – The Rose Azalea, Freer Gallery of Art
Blue and Gold - The Rose Azalea m1392 and The Little Blue Cap m1393 are closely related in composition and technique.

Blue and Gold – The Rose Azalea, Freer Gallery of Art
Whistler drew the figure first in chalk; he left some areas – such as her lips – unpainted. Originally the turban was higher, and some pale greeny-blue gouache was applied over her head to disguise the alteration. The paint was applied with a small brush, a full brush of paint so thick it tended to granulate. The slightly uneven way that the thick pigments separate adds luminosity to the colour. Whistler may have dropped extra white into the paint to accentuate this, even as it dried. The silvery white gouache of her dress was applied in ribbon-like separate strokes. Many washes of thinner paint were laid over the screen, with soft, silky effect.
See further technical details in Whistler in Watercolour, Freer|Sackler, Washington, 2019, website.
The paper has long fibres, easily disturbed.
See further details in MacDonald 1995 (cat. rais.) [more] (cat. no. 1392).
By the terms of Freer's will, this work cannot be lent to another venue.
1: Freer to Whistler, 23 November [1894] and [24 December 1896], GUW #01509, #01534.