
Dancing girl, on a fan dates from July 1895.

Dancing girl, on a fan, Private Collection
The earliest date inscribed on the fan is January 1895, written by Frederick Leighton (1830-1896), and other dates indicate it was constructed between January and November 1895. The fan would have been assembled in or shortly after 1895, perhaps by Walter Crane (1845-1915), for a special presentation. 1
It is catalogued in MacDonald 1995 (cat. rais.) [more] (cat. no. 1423). This record has been updated and corrected.

Dancing girl, on a fan, Private Collection

Sketch for a fan, Freer Gallery of Art
A fan designed by Walter Crane (1845-1915), with twenty spokes decorated by people in social, artistic and musical circles.
Early photographs of the fan show 13 spokes. 2 On the recto, as shown in these photographs, Whistler's was among the first eight designs, all of which showed women, mostly heads in profile. Five of the spokes were still blank. On the verso at this stage were more varied designs, including a windmill and a dancing girl by Edward Coley Burne-Jones (1833-1898). In its final form, there were twenty spokes and the order was re-arranged. The outermost spoke bore a painting of a crane, the signature of Walter Crane (1845-1915). A ribbon was wound through the spokes, just below the pictures. Most of the spokes had pen decoration but were pen and ink and some merely signatures. The order of the spokes was altered from the time when the photographs in the Whistler collection were taken, probably to give a more coherent and effective rhythm. 3

Dancing girl, on a fan, Private Collection
Contributors to the spokes of the fan included Walter Crane (1845-1915), John Singer Sargent (1856-1925), George du Maurier (1834-1896), Charles Edward Hallé (1846-1919), John Everett Millais (1829-1896), Edward Coley Burne-Jones (1833-1898), Frederick Leighton (1830-1896), Laura Alma-Tadema and Lawrence Alma-Tadema (1836-1912), Walford Graham Robertson (1867-1948), George Henry Boughton (1833-1905), and Jacques Joseph Tissot (1836-1902).

Dancing girl, on a fan, Private Collection
In 1910 Whistler's painting on the fan was described as a drawing of a faun but the figure is a dancing woman, not half-human, half-goat. 4

Sketch for a fan, Freer Gallery of Art
Whistler made a detailed preliminary study for his spoke, Sketch for a fan m1422.
Whistler's figure is painted in watercolour on a circle, and signed with a butterfly, from which a long barbed tail curves down the spoke of the fan. The inner edges of all twenty spokes are painted with peacock feathers.
It was not, as far as is known, exhibited in Whistler's lifetime.
EXHIBITION:
SALE:
1: For a detailed description and analysis see Calvert, Robyne, 'An Artistic Fan in Victorian Society', in Hermens, Erma and Joanna Meacock and Grischka Petri (eds), Connecting Whistler. Essays in Honour of Margaret F. MacDonald , pp. 35-41, online at https://www.gla.ac.uk/media/media_182035_en.pdf.
2: A set of six silver gelatin glass plate negatives of segments of the fan are in the University of Glasgow, Special Collections, Whistler PH2/24a-f.
3: See Calvert, Robyne, 'An Artistic Fan in Victorian Society', in Hermens, Erma and Joanna Meacock and Grischka Petri (eds), Connecting Whistler. Essays in Honour of Margaret F. MacDonald , pp. 35-41, online at https://www.gla.ac.uk/media/media_182035_en.pdf.
4: Sotheby's, London, 4 May 1910 (lot 195).