
The Girl in Red may date from 1884. 1
The technique and butterfly suggest a date in the mid-1880s.
It may have been the painting mentioned in The Whitehall Review on 29 June 1884, when the paper reported that Whistler was at work on the portrait of 'a little patrician child, in red, standing in grave, infantile pride against a deep red curtain.' 2 It is not clear from this description if this referred to a full or half-length portrait, and therefore the painting described by The Whitehall Review has been caalogued separately, as Portrait of a Girl y311.

            
            The Girl in Red, Private collection
        

            
            Study in Brown, Muskegon Museum of Art
        
In any case, it is difficult to be sure of the date, and it may date from some time later. There are similarities to later portraits of young girls, such as Study in Brown y313, which date from the 1890s.

The Girl in Red, Private collection

The Girl in Red, photograph, Knoedler's, 1926

            
            Study in Brown, Muskegon Museum of Art
        
The recorded titles are as follows:
'The Girl in Red' is the generally accepted title.

The Girl in Red, private collection
A half-length portrait of a girl with long hair, in vertical format. She wears a red dress and is seen against a red background.

The Girl in Red, photograph, Knoedler's
A photograph of the painting, formerly in Knoedler's Archive, New York, was inscribed 'Rose' but it is not known if that was the name of the model.

The Girl in Red, private collection

                
                Study in Brown, Muskegon Museum of Art
            
Thinly painted in rich colours. The Girl in Red y312 is similar in technique to Study in Brown y313.
Unknown.
Unknown.
In 1899 Whistler sold several canvases to Charles Hessele or Hessèle, a print dealer in Paris, but did not specify this painting. 6
According to Edward Guthrie Kennedy (1849-1932) of Wunderlich, New York dealers, Whistler was hard up when he sold several 'unfinished' canvases to Hessele, who in his turn sold them to Bernheim, and later, when one was sold by 'McLean' to 'Forbes' in London (probably James Staats Forbes), Whistler 'noticed how incomplete they were' and tried to retrieve them. 7
In April 1900 John James Cowan (1846-1936) saw a painting of a girl with long red hair and a crimson dress and/or background, in the possession of Alexander Reid. 8 Whistler asserted that this portrait, 'the head with the two crimsons', had been stolen from him. 9 In October 1901 Whistler told Cowan that 'The girl in red with the red background' had been found in London. 10 He asked Cowan to challenge Reid about his purchases:
'Most of these defective & purloined pictures have passed through Reid's hands - though of course he may be (?) quite square himself! However at this moment while he thinks that one only of the questionable works has been stopped, he will find himself called to account on all sides! The red head he will in a day or two hear of!' 11
Whistler 'impounded' the picture, which had been bought byJames Staats Forbes, but, according to Kennedy, since the pictures had not actually been stolen, Bernheim threatened to sue Whistler for slander and the artist had to give up his attempt to retrieve his pictures. 12
Charles Lang Freer (1856-1919) noted that he had seen a 'Girls Head - Red, Upright' from Forbes's collection in 1904, but decided not to leave an offer with Obach, the London art dealers. 13 After Forbes's death in August 1904, the painting was lent by his executors to the exhibition of Pictures presented to the City of Dublin to form the Nucleus of a Gallery of Modern Art, also pictures lent by the executors of the late James Staats Forbes and others, Royal Hibernian Academy, Dublin, 1904 (cat. no. 81) and to the Whistler Memorial Exhibition in London in 1905 (cat. no. 28).

The Girl in Red, photograph, Knoedler's, 1926
There is an apparent gap in the provenance at this point, until the story is taken up by Knoedler's archives. 14 The portrait was bought from W. B. Paterson by Knoedler's in June 1916 and sold by them to S. C. Clark in October of the same year. It was with Agnew's in 1922, and with John Levy Galleries and Milch Galleries, in 1923, but was probably still owned by S. C. Clark and was finally bought back from Clark in January 1926 by Knoedler's, who sold it to the Grand Central Galleries, six months later. It was immediately sold to W. L. Clayton, and given by Mr and Mrs Clayton to their daughter Ellen (later Mrs St John Garwood), as a graduation present. She lent it to the Houston Museum of Fine Arts, Texas, in 1946. 15
It is not recorded as exhibited in Whistler's lifetime.
In 1905 the Pall Mall Gazette praised it as among the 'strongest, and the one having the most character' of the small portraits. 16
1: YMSM 1980 [more] (cat. no. 312).
2: Press cutting in GUL Whistler P/C 6, p. 12.
3: Pictures presented to the City of Dublin to form the Nucleus of a Gallery of Modern Art, also pictures lent by the executors of the late James Staats Forbes and others, Royal Hibernian Academy, Dublin, 1904 (cat. no. 81).
4: Memorial Exhibition of the Works of the late James McNeill Whistler, First President of The International Society of Sculptors, Painters and Gravers, New Gallery, Regent Street, London, 1905 (cat. no. 28).
5: YMSM 1980 [more] (cat. no. 312).
6: Note, [1899/1900], formerly dated [ 1900/1902?], GUW #13662. The pictures sold to Hessele may have included St Ives, The Nets on the Hill y270, The Girl in Red y312, Chelsea, Little Furniture Shop y373, Chelsea Shop y374, Violet and Blue: The Red Feather y503, Rose et or: La Napolitaine y505, and Blue Sea Piece, Dieppe y525. Whistler mentions seven paintings sold in Paris (possibly those sold to Hessele) in a letter to E. G. Kennedy, [8 July 1899], GUW #09790.
7: E. G. Kennedy, notes, September 1903, GUW #09875; these notes are a commentary on a letter from Whistler to Kennedy, [July/August 1901], #09822).
8: Cowan to Whistler, 5 July 1901, GUW #00748.
9: R. B. Philip, writing for Whistler, to Cowan, 8 July 1901, GUW #04811.
10: [26/30 October 1901], GUW #00749.
11: [25/30 October [1901], GUW #00751.
12: E. G. Kennedy, notes, September 1903, GUW #09875
13: [1904], Diaries, Bk 14, Freer Gallery Archives.
14: Knoedler's accounts #6055, 13882, 16054. See Getty website at http://www.getty.edu.
15: E. Garwood to F. Coburn, 11 February 1946, GUL Revillon 1955.
16: Anon., ['A. M.'], 'The Whistler Exhibition', Pall Mall Gazette, London, 22 February 1905, p. 4.