The Paintings of James McNeill Whistler

YMSM 431
Portrait of Mrs Walter Cave

Portrait of Mrs Walter Cave

Artist: James McNeill Whistler
Date: 1894/1895
Collection: Whereabouts Unknown
Accession Number: none
Medium: oil
Support: canvas
Size: unknown
Signature: unknown
Inscription: unknown
Frame: unknown

Date

Portrait of Mrs Walter Cave dates from some time between December 1894 and March 1895. 1

This could be the picture that William Rothenstein (1872-1945) remembered seeing Whistler paint in the studio of the artist Walter Richard Sickert (1860-1942), at 13 Robert Street, London. This would have been probably between December 1894 and March 1895. According to Rothenstein, in Sickert's studio 'one day, seeing a half-finished canvas on the easel he [Whistler] began working on it, and getting interested, he finished the canvas, carried it off, and I believe, sold it as a work of his own.' 2 Sickert recorded that 'Whistler took up and nearly finished a portrait of Mrs Walter Cave which I had planned and begun' and gave it to him (Sickert), 'in a then fit of good humour', with two other canvases (Head of Mrs Beaumont y430 and possibly Head of a Girl y432). 3 According to Sickert, it was subsequently lost, or, in Rothenstein's opinion, completed and sold by Whistler 'as a work of his own.' 4

Images

No image available.
No image available.

Subject

Titles

Only one title has been suggested:

Description

The portrait of a woman, possibly a half-length of the sitter seated in profile. Her dress, if fashionable, would have had big, "leg o'mutton" sleeves.

Sickert painted 'another [portrait] of the same arrangement' as this portrait, and showed it at the exhibition of the New English Art Club in April 1895 (cat. no. 79). The Glasgow Herald described Sickert's portrait as ‘a slim, alert figure in a black and velvet dress with big sleeves, and a fair-haired curly head, with face in outline against a soft background of old rose colour’, while the Globe added that it was a ‘half-length' of the sitter 'seated in a spontaneous attitude.’ 7

Sitter

The sitter may have been Jessica Cave (d. 1934), née Cochrane, who, on 21 June 1892, married the architect Walter Frederick Cave (1863-1939), the son of Sir Charles Daniel Cave of Sidmouth in Devon. 8 Walter Cave was articled to Sir A. W. Blomfield, ARA, studied at the R.A., and designed a wide variety of buildings including the Aeolian Hall in New Bond Street. They had one son, Richard Cave. Works by Walter and Jessica Cave were exhibited at the 1899 Arts & Crafts Exhibition. 9 They certainly knew Sickert but there is no record of this portrait in the family.

Technique

Technique

Unknown.

Conservation History

Unknown.

Frame

Unknown.

History

Provenance

Sickert recorded that Whistler nearly finished a portrait of Mrs Walter Cave which he had begun, and gave it to Sickert, 'in a then fit of good humour', with two other canvases (Head of Mrs Beaumont y430 and possibly Head of a Girl y432). 10 According to Sickert, it was subsequently lost, or, in William Rothenstein's opinion, completed and sold by Whistler 'as a work of his own.' 11

Exhibitions

It was not exhibited in Whistler's lifetime.

Bibliography

Catalogues Raisonnés

Authored by Whistler

Catalogues 1855-1905

Journals 1855-1905

Monographs

Books on Whistler

Books, General

Catalogues 1906-Present

Journals 1906-Present

Websites

Unpublished

Other


Notes:

1: YMSM 1980 [more] (cat. no. 431).

2: Rothenstein 1931 [more], vol. 1, p. 169.

3: Sickert to Florence Pash, [1900], London, Islington Public Library; Sickert 1911 [more], at p. 160.

4: Ibid., and Rothenstein 1931-1932, op. cit., p. 169.

5: Sickert 1911 [more], at p. 160.

6: YMSM 1980 [more] (cat. no. 431).

7: Baron, Wendy, Sickert: Paintings and Drawings, Yale University Press, 2007, p. 25, notes 30-31.

8: See The Peerage website at http://thepeerage.com/p21011.htm.

9: The Studio, London, 1899, p. 181.

10: Sickert to Florence Pash, [1900], London, Islington Public Library; Sickert 1911 [more], at p. 160.

11: Sickert, ibid.; Rothenstein 1931 [more], vol. 1, p. 169.