Rose et vert: Une étude dates from the 1890s, possibly between 1892 and 1899. It is difficult to date, but is dated from the technique and its relationship to other works. 1
Rose et vert: Une étude, The Hunterian
Harmony in Blue and Gold: The Little Blue Girl, Freer Gallery of Art
In 1902 the collector Charles Lang Freer (1856-1919) mentioned seeing in Whistler's studio '1 tall lady without background like Little Blue girl', which may have been this study (except that it is not blue). 2 The 'Little Blue girl' was Harmony in Blue and Gold: The Little Blue Girl y421, which was painted between 1894 and 1903, and has a similar composition, but with the figure in reverse.
Rose et vert: Une étude, The Hunterian
Rose et vert (Étude), from Les Arts, 1904
Harmony in Blue and Gold: The Little Blue Girl, Freer Gallery of Art
La Jeunesse, The Hunterian
A nude pulling a black robe over her head, The Hunterian
A nude girl holding up a pink cloak, The Hunterian
One title has been suggested, with variations in punctuation:
'Rose et vert: Une étude' is the preferred title, in conformity with other titles.
Rose et vert: Une étude, The Hunterian
A study of a full-length nude in vertical format. She wears a blue cap and holds a deep plum-red robe over her head, as if dressing or disrobing. She poses in three-quarter view to left. She stands on a patterned blue and white rug on a dark floor and against a beige wall.
Possibly Eva Victoria Carrington (1887-1979).
La Jeunesse, The Hunterian
A nude pulling a black robe over her head, The Hunterian
A nude girl holding up a pink cloak, The Hunterian
Variations on the motif of a girl or woman disrobing abound in Whistler's work. Both artist and viewer become like voyeurs of an intimate activity: the models vary from a young girl with head bowed to a bold and sensual mature woman. Drawings include La Jeunesse m1380, the recto of r.: A nude pulling a black robe over her head; v.: Cockerel m1382, and A nude girl holding up a pink cloak m1621. Lithographs of nude and robed figures include Model Draping c031 and a rather more energetic figure, La danseuse: A Study of the Nude c049.
Rose et vert: Une étude, The Hunterian
Harmony in Blue and Gold: The Little Blue Girl, Freer Gallery of Art
The model for this painting is thought to be Eva Carrington, who also posed for Whistler's Harmony in Blue and Gold: The Little Blue Girl y421. The pose is also very similar though in reverse. A related drawing is in the Fogg Art Museum, Sketch of 'Harmony in Blue and Gold: The Little Blue Girl' m1379.
Rose et vert: Une étude, The Hunterian
The carpet, and the pale greenish strokes on the top of the woman's head, have been painted very freely, with clearly differentiated brush strokes, using a square ended brush. The figure has been worked up with layer on layer of thin paint. The plum coloured tints of the robe are as thin and liquid as watercolour. The face has been overworked and the features are blurred. The pinkish and grey background has been revised and painted around the top and right of the figure, suggesting the head and cloak may originally have extended up and to right. The whole surface of the painting has been rubbed down, probably as part of the painting process.
Rose et vert (Étude), from Les Arts, 1904
Rose et vert: Une étude, The Hunterian
Unknown. It is not known when the photograph published in 1904 was actually taken; the lighting and reproduction process may account for minor differences, such as the sharper outline of the face seen in Les Arts, and variations in the texture of the cloak and the wall behind it at right.
116.0 x 84.4 x 8.2 cm.
Rose et vert (Étude), from Les Arts, 1904
It was not exhibited in Whistler's lifetime. By the terms of Miss Birnie Philip's gift to the University of Glasgow, the painting cannot be lent.
1: YMSM 1980 [more] (cat. no. 489).
2: [1902], Diaries, Bk 12, Freer Gallery Archives.
3: Ouvrages de Peintures, Sculpture, Dessin, Gravure, Architecture et Objets d'Art, 14th exhibition, Société Nationale des Beaux-Arts, Paris, 1904 (cat. no. 1314).
4: James McNeill Whistler, University of Glasgow, Glasgow, 1936 (cat. no. 28).
5: YMSM 1980 [more] (cat. no. 489).