Portrait of Miss Philip dates from 1903. 1 On 28 May 1903 one of the Pennells – it is not clear whether this was Elizabeth Robins Pennell (1855-1936) or Joseph Pennell (1860-1926) – described seeing a painting in Whistler’s studio, 'a portrait of Miss Philip which he started some months ago, and is now making into the most beautiful portrait of her I have seen – a blue gown with dull yellow beads about her neck.' 2
Portrait of Miss Philip, Whereabouts unknown
Miss Rosalind Birnie Philip, GUL Whistler PH1/31
Harmony in Blue and Violet: Miss Finch, The Hunterian
Only one title has been suggested:
It was described by the Pennells as 'a portrait of Miss Philip ... a blue gown with dull yellow beads about her neck.' 5 No portrait of this description is known.
Miss Rosalind Birnie Philip, GUL Whistler PH1/31
Rosalind Birnie Philip (1873-1958), Whistler's youngest sister-in-law, his ward and executrix. She was the model for many portraits, including The Jade Necklace y478, Miss Rosalind Birnie Philip Standing y479, Portrait of Miss Philip in Black y480 and The Black Hat - Miss Rosalind Birnie Philip y535. Lithographs of her include The Medici Collar c170. Dress was an important component in several of these portraits, but none show the colours (blue and yellow) described by the Pennells.
Harmony in Blue and Violet: Miss Finch, The Hunterian
It is possible that in this portrait Whistler wished to return to the 'Blue Girl' theme initiated over 30 years earlier. It is worth noting that several earlier studies in blue were in Whistler's studio at this time, including The Blue Girl: Portrait of Connie Gilchrist y207 and Harmony in Blue and Violet: Miss Finch y239, which were given by Miss Birnie Philip to the Hunterian.
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1: YMSM 1980 [more] (cat. no. 553).
2: Pennell 1921C [more], p. 287.
3: Pennell 1921C [more], p. 287.
4: YMSM 1980 [more] (cat. no. 553).
5: Pennell 1921C [more], p. 287.